2 edition of Subject, context and the contours of Nigerian fiction found in the catalog.
Subject, context and the contours of Nigerian fiction
Includes bibliographical references (p. 170-181).
|Statement||Ezenwa-Ohaeto ; edited by Eckhard Breitinger.|
|Series||Bayreuth African studies -- 81, Bayreuth African studies series -- 81.|
|LC Classifications||PR9387.4 .E94 2007|
|The Physical Object|
|Pagination||xiv, 183 p. ;|
|Number of Pages||183|
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Get this from a library. Subject, context and the contours of Nigerian fiction: studies contrasting the postcolonial notion.
[Ezenwa-Ohaeto; Eckhard Breitinger]. Ezenwa-Ohaeto, Subject, Context and the Contours of Nigerian Fiction. Studies Contrasting the Postcolonial Notion. Edited by Eckhard Breitinger. Eckersdorf: Pia Thielman & Eckhard Breitinger, coll.
Bayreuth African Studies n°81,p. – ISBN An article from journal Études littéraires africaines (Fictions / Documents), on : Philip Whyte. Subject, Context and the Contours of Nigerian Fiction, () re-appraises entrenched post-colonial literary theories, audaciously pointing out new possibilities and directions.
Ebi Yeibo is the author of six collections of poetry and winner of the ANA Poetry Prize () and the Isaac Boro Prize for Niger Delta Literature (). He was shortlisted for the Pat Utomi Prize for African Literature and the ANA Poetry Prize (). Yeibo teaches in the Department of English and Literary Studies, Niger Delta University.
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For much of Edna O’Brien’s new novel, Girl, it is easy to imagine it has been written by its protagonist and narrator, one of the Northern Nigerian schoolgirls who in were kidnapped and.
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Grieving over the death of his partner, he quickly discovered the profound. Abubakar Adam Ibrahim’s Season of Crimson Blossoms is a novel richly rooted in its conservative northern Nigerian context, yet it is a novel that asks universal questions — is it possible to change someone you love, possible even to challenge the rules of who can be loved and why.
On the surface, the novel is the story of Hajiya Binta, a year-old widow, and her affair with a man Alter/Native Film Narratives in Nollywood and the Figurine I show that online fan fiction is a digital practice that has the potential to extend critical debates around the contents of the.
Charles decided to drop the subject of why he was now the Acting Head. Walking around the curved table, he pulled out the chair and eased himself into the leather cushions. He felt the servos kick in as they automatically shifted to the contours of his body. Cole’s novel Every Day Is for the Thief is an “amalgamation of fiction, memory, art, and travel writing” originally culled from his blog (now removed) about a young Nigerian revisiting Lagos and a version of the book was published in by Nigeria-based Cassava Republic Press.
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In Guns and Society, Saheed Aderinto considers the social, political, and economic history of these weapons in colonial : Saheed Aderinto. The fourth section zeroes in on the subject of the book, Nigeria is Negotiable, while the last section looks at the next political games and gives away the author s lack of faith in the processes from its very title, and all that jazz.
Taking Nigeria is Negotiable as just 2/5(1). book selections + tote + print quarterly journal The principal subject of mainstream literary fiction today is the way we live now, meaning the way the upper middle class lives now. Kudos started off really strong, but then it petered out.
It is the third book in a trilogy. While I havent read the previous books, my understanding is that this isnt a problem. The books are linked by concept rather than by plot. The narrator in Kudos is an author attending a writers event in Germany/5().
This book is non-fiction based on the life of the author and the actual events that took place to the best of the author's memory and perception as they happened. The author's account are based on his views, ideals, opinions, and understanding of those events and the people involved.
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Full text of "Aspect in Yoruba and Nigerian English" See other formats. Context: original piece was commissioned by the woman's husband, artist is a British-born Nigerian who was raised between Lagos and London; the patterns on Dutch wax fabrics were originally from Indonesia and then were made in England/Holland, tried to sell imitations in South Asia (no success) and their West African colonies (were appropriated.
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This book is such an incredible achievement that it isn’t just my favorite work of fiction published in the last year. It may be the best contemporary novel I have read in the last three years.
The book is so nimble in the way it conveys one woman’s consciousness, but it does this without the central stylistic device becoming a gimmick. In this book, British Nigerian artist Yinka Shonibare (born ) challenges conceptions of "good taste," presenting works from the Arts Council Collection—from sculpture and painting to wallpaper and handbags—that provocatively oppose the anti-decorative stance of >>more Hayward Gallery Publishing ISBN US $ CAN $ TRADE.
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Whereas with the backgrounder aspect (Section ) the subject of the main clause intends to have completed the job at hand prior to the arrival of the subject of the subordinate clause, with the expective, she expects to have begun working prior to and would still be working when the subject of the second clause arrives on the scene.
The Nigerian cover features two profiles emerging from the sides of a ceremonial mask. The profiles mirror the split colours of the mask, which is a. It is a rich book and many readers will find plenty to agree with and to quibble over.
In the absence of context, some of the banter would perhaps make interesting debate material on my Facebook wall. Hear Ndibe seeming to throw red meat at the warriors of feminism, in the essay, Nigerian, Going Dutch: Let me insert a note of cultural information.
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